Home/Blog/Reading Your First Cartouche: A Step-by-Step Guide
February 2026||By Harry Harrison

Reading Your First Cartouche: A Step-by-Step Guide

Royal cartouches are the oval enclosures that surround pharaoh names. Learn how to identify and decode them, starting with Tutankhamun and Cleopatra.

Quick answer

A cartouche is the oval rope loop that surrounds a pharaoh's throne name and birth name. To read one, find the direction the animal and human signs face (they look towards the start of the text), then sound out the signs one by one. Tutankhamun's cartouche, for instance, reads twt-κœ₯nαΈ«-imn with the god's name Amun written first out of respect (honorific transposition).

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Ancient Egyptian cartouche containing hieroglyphic symbols spelling a pharaoh's royal name

What Is a Cartouche?

If you've ever seen a photograph of an Egyptian temple or a display case in a museum, you've almost certainly noticed cartouches, the distinctive oval rings that encircle certain groups of hieroglyphs. These elongated ovals with a horizontal bar at the base are among the most recognisable features of Egyptian inscriptions, and they serve a very specific purpose: they mark royal names.

The word "cartouche" itself is French. Napoleon's soldiers in Egypt noticed that the oval shape resembled the paper cartridges (cartouches) they used in their muskets, and the name stuck. The Egyptians had their own term: shenu, derived from the verb sheni, meaning "to encircle." The cartouche was a protective ring, a magical boundary that encircled and safeguarded the pharaoh's name for eternity.

I think understanding cartouches is one of the most practical skills in learning hieroglyphics because royal names appear on virtually every monument in Egypt. Once you can read them, you can identify who built a temple, when a tomb was constructed, and which dynasty left its mark on the landscape.

The Five Royal Names

Every pharaoh, from the Old Kingdom onward, held a formal titulary of five names, each introduced by a specific title:

  1. β€’Horus name, the oldest royal title, written inside a serekh (a rectangular frame representing the palace facade)
  2. β€’Nebty name (Two Ladies), invoking the protective goddesses Nekhbet (vulture) and Wadjet (cobra)
  3. β€’Golden Horus name, the least understood, possibly referring to the eternal nature of the king
  4. β€’Prenomen (throne name), enclosed in a cartouche, given at coronation, always containing the name of Ra
  5. β€’Nomen (birth name), enclosed in a cartouche, the personal name given at birth

The two cartouche names, the prenomen and nomen, are what you'll encounter most frequently on monuments. The prenomen typically precedes the title nswt-bjtj ("King of Upper and Lower Egypt"), while the nomen follows sꜣ Rκœ₯ ("Son of Ra").

Decoding Tutankhamun's Cartouche

Let's start with one of the most famous names in history. Tutankhamun's nomen (birth name) cartouche reads:

π“‡‹π“ π“ˆ–π“π“…±π“π“‹Ήπ“‹Ύπ“‰Ίπ“‡—

Reading hieroglyphs in a cartouche requires knowing the direction of reading (signs face the beginning of the text) and understanding honorific transposition, where divine names are written first but spoken later.

Breaking it down step by step:

  • β€’π“‡‹π“ π“ˆ– these signs spell jmn (Amun), written first due to honorific transposition
  • ‒𓏏𓅱𓏏 these spell twt, meaning "image" or "likeness"
  • β€’π“‹Ή the ankh sign, meaning "living"
  • ‒𓋾𓉺𓇗 αΈ₯qꜣ ꞽwnw Ε‘mκœ₯, "ruler of Southern Heliopolis" (that is, Thebes), an epithet Tutankhamun's scribes routinely wrote inside the cartouche after the name itself. On the golden mask and the shrines you will see it; on a museum label you usually won't.

Reassembled in spoken order: Tut-ankh-amun, "Living image of Amun," followed by the epithet.

Notice how the god's name (Amun) appears at the start of the cartouche out of respect, even though it is spoken last. This scribal convention is called honorific transposition, and it appears in almost every royal cartouche. Once you're aware of it, you'll spot it immediately.

Decoding Cleopatra's Cartouche

Cleopatra VII (the famous queen who allied with Julius Caesar and Mark Antony) was of Greek Ptolemaic origin, so her name is spelled purely phonetically, with no honorific transposition needed. This makes it an ideal beginner exercise.

Her cartouche reads: π“ˆŽπ“ƒ­π“‡‹π“…±π“Šͺ𓄿𓂧𓂋𓄿𓏏

Reading each sign for its sound value:

  • β€’π“ˆŽ q (hill slope)
  • ‒𓃭 l (lion)
  • ‒𓇋 i (reed leaf)
  • β€’π“…± w/o (quail chick)
  • β€’π“Šͺ p (stool)
  • β€’π“„Ώ a (vulture)
  • β€’π“‚§ d (hand)
  • β€’π“‚‹ r (mouth)
  • β€’π“„Ώ a (vulture)
  • ‒𓏏 t (bread loaf)

Sounding it out: Q-L-I-O-P-A-D-R-A-T, or as we know it, Cleopatra.

This is remarkably straightforward compared to native Egyptian names because it uses only uniliteral signs, the single-consonant hieroglyphs that function like an alphabet. Champollion used exactly this cartouche, along with Ptolemy's, as his initial key to the phonetic values of hieroglyphs.

Decoding Ramesses II's Cartouche

Now let's tackle a more complex example. Ramesses II, often called Ramesses the Great, left his cartouches on more monuments than any other pharaoh. His prenomen (throne name) reads:

π“‡³π“„Šπ“§π“‰π“ˆ–

Only five signs, but they pack in a lot:

  • ‒𓇳 Ra (sun disc), written first by honorific transposition, and read twice, once in wsr-mꜣκœ₯t-rκœ₯ and once in stp-n-rκœ₯
  • β€’π“„Š wsr (powerful): the head and neck of an animal, a single picture standing for a whole word
  • ‒𓁧 mꜣκœ₯t: the goddess Maat herself, seated with her feather, standing for "truth, order"
  • ‒𓍉 stp (chosen): a carpenter's adze
  • β€’π“ˆ– n (by)

In spoken order: User-Maat-Ra Setep-en-Ra, "Powerful is the truth of Ra, chosen by Ra."

His birth-name cartouche is π“‡‹π“ π“ˆ–π“ŒΈπ“‡³π“„Ÿπ“‹΄π“‡“, rκœ₯-ms-sw mry-ꞽmn, "Ra has borne him, beloved of Amun." Both gods (Amun π“‡‹π“ π“ˆ– and Ra 𓇳) are pulled to the front; π“ŒΈ is mry (beloved), π“„Ÿ is ms (born), and 𓋴𓇓 spell sw (him).

These two cartouches demonstrate the features that make royal names harder than Cleopatra's: honorific transposition (a god's name written first, here twice in one ring), ideograms (one picture standing for the whole word wsr or mꜣκœ₯t rather than spelling it out), and a goddess folded into the king's title. Reading them correctly means recognising which signs are letters and which are whole words.

More Royal Cartouches to Practise On

Once you can manage the three names above, these are the cartouches you will meet most often in museums and on scarabs. Each is written the way it appears on the monuments, reading left to right:

  • β€’Khufu (Cheops), builder of the Great Pyramid: 𓐍𓅱𓆑𓅱, αΈ«wfw, "he protects me" (short for Khnum-khuf, "Khnum protects me"). Four alphabet signs, no transposition: the easiest native Egyptian name to read.
  • β€’Thutmose III, throne name: 𓇳𓏠𓆣, mn-αΈ«pr-rκœ₯, "Lasting is the manifestation of Ra" (Menkheperre). This is the single most common cartouche on Egyptian scarabs; if you learn one throne name, learn this one.
  • β€’Hatshepsut, throne name: 𓇳𓁧𓂓, mꜣκœ₯t-kꜣ-rκœ₯, "Truth is the ka of Ra" (Maatkare). Ra first by transposition, then Maat, then the pair of upraised arms that write kꜣ.
  • β€’Akhenaten: π“‡‹π“π“ˆ–π“‡³π“…œπ“ˆ–, ꜣḫ-n-ꞽtn, "Effective for the Aten." The sun-disc god's name (ꞽtn, with the disc as its determinative) is written first; the crested ibis π“…œ writes ꜣḫ.
  • β€’Ptolemy (Ptolemaios): π“Šͺπ“π“―π“ƒ­π“π“‡Œπ“‹΄, ptwlmys. A Greek name spelled sound by sound: p-t-w-l-m-y-s. This was the first cartouche Champollion cracked, using the Greek text of the Rosetta Stone.
  • β€’Alexander the Great: π“„Ώπ“ƒ­π“Ž‘π“‹΄π“‡‹π“ˆ–π“‚§π“‚‹π“‹΄, ꜣlksꞽndrs. Nine alphabet signs, no gods, no surprises.

Notice the pattern: foreign rulers (Ptolemy, Cleopatra, Alexander) are spelled out with the 25 alphabet signs alone, while native pharaohs lean on ideograms and honorific transposition. That is why Champollion started with the foreigners, and why you should too.

Tips for Reading Cartouches in the Wild

1. Determine reading direction. Hieroglyphs face the beginning of the line. If the birds and people face left, read left to right. If they face right, read right to left. Inside cartouches, the same rule applies.

2. Look for honorific transposition. If you see a sun disc (𓇳) or the signs for Amun (π“‡‹π“ π“ˆ–) at the start, they are probably written first out of respect but spoken later in the name.

3. Identify the title before the cartouche. The signs nswt-bjtj (sedge plant and bee) before a cartouche indicate the prenomen. The signs sꜣ Rκœ₯ (duck and sun disc) indicate the nomen.

4. Start with Ptolemaic names. Greek and Roman names in cartouches (Ptolemy, Cleopatra, Alexander, Augustus) are spelled phonetically without honorific transposition. They are the easiest to decode and are how Champollion started too.

5. Use the uniliteral signs as your foundation. If you memorise the 25 single-consonant signs, you can sound out most foreign names and begin to recognise common phonetic patterns in Egyptian names.

Your Turn

Cartouches are everywhere, in museums, textbooks, documentaries, and on the walls of every major Egyptian monument. They are the most accessible entry point into reading real hieroglyphic inscriptions because they are clearly bounded, relatively short, and often well-documented.

Pick up any book on ancient Egypt, find a cartouche, and try to sound it out. You now have the tools to begin. The pharaohs wrote their names to last for eternity, and thanks to what you've just learned, their wish is being fulfilled.

Two ways to keep going:

  • β€’Write your own cartouche. Type your name into the free hieroglyphics name translator and it will spell it with the same alphabet signs Cleopatra's scribes used. Then forge it into a 3D cartouche you can download.
  • β€’Learn all 25 alphabet signs properly. The free first lesson teaches the full uniliteral alphabet in about 25 minutes, with a quick check after every few signs, so that the next cartouche you meet reads itself.

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